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Innocents Abroad (Signet Classics)

Innocents Abroad (Signet Classics)
MSRP: $7.95
Your Price: $40.44
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Manufacturer: Signet Classics
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Additional Innocents Abroad (Signet Classics) Information

Based on a series of letters Mark Twain wrote from Europe to newspapers in San Francisco and New York as a roving correspondent, The Innocents Abroad (1869) is a burlesque of the sentimental travel books popular in the mid-nineteenth century. Twain's fresh and humorous perspective on hallowed European landmarks lacked reverence for the past-the ancient statues of saints on the Cathedral of Notre Dame are "battered and broken-nosed old fellows" and tour guides "interrupt every dream, every pleasant train of thought, with their tiresome cackling." Equally irreverent about American manners (including his own) as he is about European attitudes, Twain ultimately concludes that, for better or worse, "human nature is very much the same all over the world."

 

What Customers Say About Innocents Abroad (Signet Classics):

He encounters all types, from Mormons to Indians, and nothing escapes description (coyotes and Horace Greely each have their due), and he tells his sometimes harrowing stories with great gusto and humor and sympathy. A wild and rollicking account of Mark Twain's adventures in the West and Hawaii, first as an aid to his brother, the new Acting Governor of Nevada, then as a miner, and finally as a newspaper reporter.

Inside one finds smooth, creamy paper, sub-topic headings in the margins, a judicious use of white space, and over 30 small color illustrations. In a red slipcase. This review relates to the Heritage Press edition in green cloth with red and gold on the spine (circa 1962 and probably later). Designed by George Salter, illustated by Kredel, with an introduction by Edward Wagenknecht. 499 pp. A classic and simple Heritage design, meant to evoke the 19th century. Unfinished green cloth with a real gold leaf on the spine: letters, horizontals reminiscent of decorative Victorian bands, and five images of travel (designed by illustrator Fritz Kredel).

Inside one finds smooth, creamy paper, sub-topic headings in the margins, a judicious use of white space, and over 30 small color illustrations. In a red slipcase. This review relates to the Heritage Press edition in green cloth with red and gold on the spine (circa 1962 and probably later). Designed by George Salter, illustated by Kredel, with an introduction by Edward Wagenknecht. 499 pp. A classic and simple Heritage design, meant to evoke the 19th century. Unfinished green cloth with a real gold leaf on the spine: letters, horizontals reminiscent of decorative Victorian bands, and five images of travel (designed by illustrator Fritz Kredel).

Inside one finds smooth, creamy paper, sub-topic headings in the margins, a judicious use of white space, and over 30 small color illustrations. In a red slipcase. This review relates to the Heritage Press edition in green cloth with red and gold on the spine (circa 1962 and probably later). Designed by George Salter, illustated by Kredel, with an introduction by Edward Wagenknecht. 499 pp. A classic and simple Heritage design, meant to evoke the 19th century. Unfinished green cloth with a real gold leaf on the spine: letters, horizontals reminiscent of decorative Victorian bands, and five images of travel (designed by illustrator Fritz Kredel).

Inside one finds smooth, creamy paper, sub-topic headings in the margins, a judicious use of white space, and over 30 small color illustrations. In a red slipcase. This review relates to the Heritage Press edition in green cloth with red and gold on the spine (circa 1962 and probably later). Designed by George Salter, illustated by Kredel, with an introduction by Edward Wagenknecht. 499 pp. A classic and simple Heritage design, meant to evoke the 19th century. Unfinished green cloth with a real gold leaf on the spine: letters, horizontals reminiscent of decorative Victorian bands, and five images of travel (designed by illustrator Fritz Kredel).

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